The latest Circle Chart rankings for the week of May 4 to 10, 2025, reveal a remarkable mix of enduring popularity and fresh success in the K-pop world, highlighted by WOODZ’s impressive achievement of a double crown on the digital and streaming charts.
WOODZ, also known as Cho Seung Youn, has proven the lasting appeal of his 2023 single “Drowning,” which remarkably rose to the top spot on both the overall digital chart and the streaming chart two years after its initial release—a rare feat that speaks volumes about the song’s timeless resonance with listeners.
The top five songs on both charts were exactly the same, showing a strong consensus among music consumers.
Following WOODZ at No. 2 is BLACKPINK’s Jennie with her hit “like JENNIE,” a track that continues to enjoy widespread acclaim and streaming success.
Coming in at No. 3 is 10CM’s emotionally resonant song “To Reach You,” while ZO ZAZZ’s “Don’t you know” holds the No. 4 position.
Rounding out the top five is BIGBANG’s G-Dragon featuring Anderson .Paak with “TOO BAD,” a collaboration that combines the talents of two powerhouse artists and continues to captivate listeners.
On the physical album front, P1Harmony demonstrated their strong fanbase and momentum by debuting at No. 1 with their latest mini album “DUH!”.
Their rise to the top of the album chart this week underscores their growing presence in the industry and the excitement surrounding their comeback.
Following P1Harmony, NCT WISH’s catchy and vibrant “poppop” bounced back to No. 2, showing continued support for the group.
THE BOYZ also made a strong showing by re-entering the chart at No. 3 with their album “Unexpected.”
Notably, TXT’s “The Star Chapter: SANCTUARY,” which was released six months ago, surged back up to No. 4, indicating the group’s sustained popularity.
Meanwhile, rookie group E’LAST debuted their new mini album “Versus” at No. 5, adding fresh energy to the competitive album chart this week.
The download chart painted an equally interesting picture of music consumption trends, with Lim Young Woong maintaining his hold on the top spot for the fourth consecutive week with “Heavenly Ever After,” a moving ballad featured in the popular drama of the same name.
TXT’s single “Love Language” stayed strong at No. 2, proving its appeal among digital music buyers. DAY6 managed to secure two entries in the top five this week, with their new single “Maybe Tomorrow” debuting at No. 3, while another track, “game over,” debuted at No. 5, showcasing the band’s creative momentum.
Meanwhile, 10CM’s “To Reach You” climbed to No. 4 on the download chart, reinforcing the song’s broad appeal across multiple platforms.
On the international stage, the global K-pop chart maintained a familiar hierarchy this week, with BLACKPINK’s Rosé and Bruno Mars’ collaboration “APT.” retaining the No. 1 spot, a testament to its cross-cultural appeal and widespread recognition.
Jennie’s “like JENNIE” continued to hold onto the No. 2 position, while aespa’s high-energy “Whiplash” took the No. 3 spot.
Rising in the ranks, MEOVV’s “HANDS UP” climbed to No. 4, showing promising traction on the global front.
Finally, BTS’s Jimin rounded out the top five with his latest release “Who,” reinforcing his consistent popularity both domestically and abroad.
Overall, this week’s Circle Chart rankings highlight a dynamic mix of established artists maintaining their dominance, new releases making impactful entrances, and beloved songs demonstrating remarkable longevity.
WOODZ’s “Drowning” topping two major charts years after release is a standout moment that reflects the evolving nature of music consumption in the digital age, where quality tracks continue to find new audiences over time.
Meanwhile, P1Harmony’s and Rosé’s strong showings on physical and global charts illustrate the power of dedicated fanbases and international influence in today’s K-pop ecosystem.
Congratulations to all the artists who continue to amaze fans with their music and performances.
