Former NCT member Mark has officially taken the next massive leap in his career by launching his very own independent creative company and music label, named Upper Room.
On June 4, 2026, the newly established label broke the news, signaling a fresh start for the multi-talented artist following his departure from NCT and SM Entertainment earlier this spring.
This milestone transition gives him complete autonomy over his work, paving a brand new road for his evolution as a soloist.
Upper Room released an official statement to outline the core mission of this independent endeavor.
In their introductory announcement, the company stated:
“Mark has officially launched the creative company Upper Room, which will serve as the starting point for his music, creative vision, and the various projects he will pursue in the future.”
A Multidimensional Blueprint for Independent Creativity
Founded by Mark alongside long-term, trusted industry colleagues with whom he has built profound professional trust over the years, Upper Room is structured as an expansive creative ecosystem.
Rather than acting as a standard, singular entertainment agency focused solely on music management, the company plans to organically tie together multiple artistic content fields.
These distinct divisions include high-quality video production, custom visual art design concepts, and independent performance choreography.
By unifying these fields under a single banner, Mark intends to further expand his artistic world in a thoroughly multidimensional way, allowing each medium to influence and elevate the others.
The name “Upper Room” itself carries an incredibly symbolic weight that extends far past standard corporate branding. The agency explicitly shared that the title represents much more than just a literal, physical space, office, or studio. Instead, the name symbolizes a dedicated, collaborative sanctuary where people bound by shared goals, artistic philosophies, and ideas can freely come together. The company envisions this as a sanctuary where innovators can dynamically exchange inspiration, build deep creative chemistry, and explore entirely new possibilities without traditional industry constraints. It is designed to be an incubator for raw human expression, serving as a safe haven for independent minds to experiment.
The Artistic Philosophy and Handcrafted Aesthetics of Upper Room
To commemorate the highly anticipated official launch of the company, Upper Room revealed its digital presence across major global social media platforms, including individual accounts on Instagram and X (formerly Twitter).
Along with the opening of these communication channels, the label introduced itself to the public by releasing a striking series of cinematic announcement films that instantly captured the widespread attention of fans and industry insiders alike.
The teasers stood out significantly from typical modern entertainment teasers due to their unique, retro-inspired aesthetic and their underlying production philosophy.
In a modern entertainment landscape heavily dominated by rapid digital shortcuts, automated rendering tools, and cutting-edge software, Upper Room consciously chose to look backward into human history for inspiration.
The debut teaser films were heavily inspired by the intricate craftsmanship, textures, and tactile nature of the 15th-century movable-type printing era.
The label explicitly highlighted that the films were deliberately created entirely without the use of AI-generated imagery or artificial rendering shortcuts.
Every single visual element, motion frame, and design layout was produced completely by hand to reflect the exact message and core vision behind Upper Room.
This intentional production choice was designed to highlight the immense value of human creativity, physical craftsmanship, and personal touch in an age of rapidly advancing, automated technology.
Through this handcrafted approach, Mark’s label sets a firm precedent for championing the raw integrity of human artistry as he steps into this bold new era of complete creative freedom.