G-Dragon Reveals PHASE 1 of His 2025 ‘Übermensch’ World Tour – Check Out the First Stops!

Thread
Last updated:

K-pop icon G-Dragon is officially returning to the global stage with his highly anticipated 2025 world tour titled “Übermensch”—his first large-scale solo tour in years.

On March 19, 2025, the BIGBANG leader thrilled fans by revealing the first set of cities he’ll be visiting during PHASE 1 of the tour.

The journey will officially kick off in Korea with a powerful opening at Goyang Stadium on March 29 and 30, setting the tone for what promises to be an electrifying world tour.

G-Dragon (Credit: YouTube)

This marks G-Dragon’s return to performing in front of his home crowd before he sets out to connect with fans across Asia.

Following the Korea launch, G-Dragon’s PHASE 1 tour stops will include major cities such as:

  • Tokyo, Japan – May 10 and 11
  • Bulacan, Philippines
  • Osaka, Japan
  • Macau
  • Taipei, Taiwan
  • Kuala Lumpur, Malaysia
  • Jakarta, Indonesia
  • Hong Kong

This initial phase of the tour already covers some of the biggest music markets in Asia, proving G-Dragon’s continued global influence and popularity.

Fans in each city are eagerly awaiting his return, especially as G-Dragon has been dominating music charts recently with his hit track “TOO BAD”, which earned multiple music show wins.

The “Übermensch” tour is expected to showcase G-Dragon’s artistic evolution, unique stage presence, and dynamic performances, solidifying his reputation as a trendsetter in the K-pop industry.

Further updates and additional stops for the world tour are expected to be announced soon, keeping fans worldwide excited and hopeful for a chance to see G-Dragon live.

Stay tuned for more announcements regarding ticket sales and future cities added to the tour schedule!

Written by Emma Brooks Kpop Streaming Strategist Analytics, Kpop, Streaming, Metrics, Trends, Fandom, Charts Emma Brooks has 3+ years of experience in music data analysis and holds a degree in Digital Media with training in statistical modeling and platform analytics.

Emma Brooks focuses on evaluating K-pop performance through structured data interpretation and platform signals. She examines how releases perform across streaming services and short form platforms, identifying patterns tied to timing and audience response. She produces analysis that prioritizes measurable outcomes over assumptions.

THREAD

Share your take. All comments are held for review before appearing.

Be the first to share your thoughts.