Hearts2Hearts Makes Grand Debut with ‘The Chase’—Jiwoo’s Response Wins Praise

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On February 24, SM Entertainment introduced its latest girl group, Hearts2Hearts, marking the company’s first girl group debut in four and a half years since aespa. The highly anticipated debut took place at the YES24 Live Hall in Seoul, where the eight-member group held a special media showcase in front of eager fans.

Their debut album, The Chase, features two tracks: the title track “The Chase” and the b-side “Butterflies.” The group performed both songs for the first time at the showcase, leaving fans in awe of their vocal prowess and stage presence.

Jiwoo’s Confident Response to Competition

During the Q&A session, a reporter asked the group about debuting at the same time as Starship Entertainment’s new girl group, KiiiKiii.

Leader Jiwoo impresses fans with her confident responses to industry rivalry questions.

Leader Jiwoo responded with grace and confidence, saying, “Rather than feeling pressure, I think we can become a positive influence as we work together. We will work hard. Our unique charm is connecting with our fans through our music, so we will show a good side of ourselves while making our music stronger.”

Korean netizens praised Jiwoo’s composure, with many noting how well she handled the question. Comments on Instiz included, “They are already throwing difficult questions at rookies…” and “She handled the question well. I don’t understand why the reporter had to ask that.”

Meanwhile, Hearts2Hearts also took the opportunity to announce their official fandom name, strengthening their connection with supporters. With a powerful debut and a confident leader, the group is starting strong in the competitive K-pop industry.

Written by Emma Brooks Kpop Streaming Strategist Analytics, Kpop, Streaming, Metrics, Trends, Fandom, Charts Emma Brooks has 3+ years of experience in music data analysis and holds a degree in Digital Media with training in statistical modeling and platform analytics.

Emma Brooks focuses on evaluating K-pop performance through structured data interpretation and platform signals. She examines how releases perform across streaming services and short form platforms, identifying patterns tied to timing and audience response. She produces analysis that prioritizes measurable outcomes over assumptions.

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