PLAVE’s First Asia Tour Live Viewing Sells Out Key Seats, Adds More Screenings

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Virtual idol group PLAVE is experiencing explosive demand for their upcoming live viewing event, prompting a second round of ticket sales.

The final concert of their 2025 Asia Tour – DASH: Quantum Leap in Seoul will be broadcast live on August 17 to theaters across Asia.

This marks PLAVE’s first-ever Asia tour since their debut two years ago.

The initial live viewing tickets, released on July 21, sold out quickly at major cinema chains including 20 CGV and 18 Lotte Cinema locations nationwide.

Due to overwhelming fan demand, a second ticket sale round opens today, August 4, at 3 PM KST.

PLAVE made history as the first virtual idol group to perform at the iconic KSPO DOME in Olympic Park, Seoul, where the tour runs from August 15 to 17.

PLAVE (Credit: YouTube)

The concerts feature a dynamic “gravity” theme with a diverse setlist deeply tied to the group’s unique universe, alongside exclusive stages only available during this tour.

For fans unable to attend in person, the live viewing provides an immersive concert experience with theater-grade sound on the big screen.

The live viewing event will also be simultaneously held in several major Asian cities, including Tokyo, Taipei, Singapore, Bangkok, Hong Kong, Kuala Lumpur, and Jakarta, expanding PLAVE’s global reach.

Following the Seoul shows, the tour continues with stops in Taipei (August 23), Hong Kong (October 1), Jakarta (October 18), Bangkok (October 25), and Tokyo (November 1–2).

PLAVE (Credit: X)

The fan club presale for the Seoul concerts drew over 30,000 people in the waiting queue, with all three shows sold out, reflecting PLAVE’s skyrocketing popularity.

Written by Emma Brooks Kpop Streaming Strategist Analytics, Kpop, Streaming, Metrics, Trends, Fandom, Charts Emma Brooks has 3+ years of experience in music data analysis and holds a degree in Digital Media with training in statistical modeling and platform analytics.

Emma Brooks focuses on evaluating K-pop performance through structured data interpretation and platform signals. She examines how releases perform across streaming services and short form platforms, identifying patterns tied to timing and audience response. She produces analysis that prioritizes measurable outcomes over assumptions.

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