SEVENTEEN’s “17 IS RIGHT HERE” Dominates Circle Chart Rankings

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Circle Chart, previously known as Gaon Chart, disclosed its recent monthly and weekly chart standings, highlighting SEVENTEEN’s triumph with their new best-of album “17 IS RIGHT HERE,” topping the physical album chart for April.

Despite its release at the month’s end on April 29, the album secured the top spot. TXT’s “Minisode 3: TOMORROW” and IVE’s “IVE SWITCH” also debuted strongly at No. 2 and No. 3, respectively.

Kim Ho Joong’s “A LIFE” and Lee Chan Won’s “Bright;燦” entered at No. 4 and No. 5. SEVENTEEN’s triple crown on the weekly charts, including physical album, overall digital, and digital download charts, underscores their widespread popularity.

In the monthly charts, ILLIT’s debut song “Magnetic” achieved a triple crown, leading the overall digital, streaming, and global K-pop charts.

Monthly and weekly chart rankings announced
Monthly and weekly chart rankings announced

The top five songs on the digital and streaming charts mirrored each other, with ILLIT’s “Magnetic” at No. 1, followed by tracks from (G)I-DLE, TWS, BIBI, and IU.

SEVENTEEN’s “MAESTRO” topped the overall digital chart for the week, with Zico’s “SPOT!” featuring BLACKPINK’s Jennie at No. 2. On the digital download chart, Lee Chan Won’s “A Travel to the Sky” secured the top spot for April.

FIFTY FIFTY claimed the No. 1 spot on the social chart for April, with TWICE, BTS, BLACKPINK, and NewJeans following closely. In the weekly social chart, FIFTY FIFTY maintained its lead, while NewJeans, BTS, BLACKPINK, and Davichi rounded out the top five.

Written by Ava Carter Kpop Data Analyst Kpop, Streaming, Metrics, Trends, Fandom, Charts, Insights Ava Carter has 8+ years of experience in music analytics and holds a degree in Media and Communications with training in data analysis and audience metrics.

Ava Carter analyzes K-pop performance data with an emphasis on measurable growth and platform dynamics. She evaluates how releases gain traction across streaming and social ecosystems, linking metrics to audience behavior. Her work prioritizes clarity, using structured data to explain outcomes without speculation. She focuses on patterns that indicate long term artist scalability.

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