ZEROBASEONE’s “You had me at HELLO” Makes Global Impact

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ZEROBASEONE’s comeback with its mini-album “You Had Me at HELLO” and its title track “Feel the POP” has garnered immense success. Released on May 13 at 6 p.m. KST, the album quickly made waves, topping iTunes charts globally by the morning of May 14 KST.

“You had me at HELLO” soared to the No. 1 spot on iTunes Top Albums charts in 22 regions, including Singapore, Indonesia, Brazil, and Spain, among others.

“Feel the POP” claimed the top position on the iTunes Top Songs charts in 12 regions, such as Singapore, Malaysia, and Saudi Arabia. The upbeat and vibrant energy of the title track resonated with listeners worldwide, propelling it to the top of the charts.

Surpassing 1 million sales, ZEROBASEONE secures another milestone in success
Surpassing 1 million sales, ZEROBASEONE secures another milestone in success

In addition to its digital success, “You Had Me at HELLO” achieved a significant milestone by surpassing 1 million sales on its release day alone. This remarkable feat marked ZEROBASEONE’s third album to achieve such a sales milestone, demonstrating their enduring popularity and strong fanbase.

The rapid rise of “You had me at HELLO” and “Feel the POP” highlights ZEROBASEONE’s global appeal and musical prowess.

With their latest comeback, ZEROBASEONE not only reaffirms their dominance in the music scene but also sets a new standard for success in the industry. As fans celebrate the group’s achievements, anticipation builds for their future endeavors and the impact they will continue to make on the global stage.

Written by Ava Carter Kpop Data Analyst Kpop, Streaming, Metrics, Trends, Fandom, Charts, Insights Ava Carter has 8+ years of experience in music analytics and holds a degree in Media and Communications with training in data analysis and audience metrics.

Ava Carter analyzes K-pop performance data with an emphasis on measurable growth and platform dynamics. She evaluates how releases gain traction across streaming and social ecosystems, linking metrics to audience behavior. Her work prioritizes clarity, using structured data to explain outcomes without speculation. She focuses on patterns that indicate long term artist scalability.

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