Chart-Topping Hits, SEVENTEEN Leads Physical Albums, Lim Young Woong Sweeps Digital

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Circle Chart, previously known as Gaon Chart, has disclosed its rankings for the week spanning May 5 to 11, showcasing the latest trends in the K-pop industry.

SEVENTEEN maintains its stronghold atop the physical album chart with their compilation album “17 IS RIGHT HERE,” securing the No. 1 position for the second consecutive week.

EXO’s D.O. makes a strong debut at No. 2 with his mini album “Blossom,” while tripleS enters the fray at No. 3 with their new full-group release “ASSEMBLE24.”

Lim Young Woong asserts his dominance with his track “Warmth,” claiming the No. 1 spot on both the overall digital chart and the digital download chart. His songs “Warmth” and “Home” simultaneously secure the top two positions on the digital chart. Zico’s collaboration with BLACKPINK’s Jennie, “SPOT!,” maintains a solid presence at No. 3.

Circle chart reveals its weekly rankings for artists
The circle chart reveals its weekly rankings for artists

Zico and Jennie’s collaboration “SPOT!” continues to take over listeners, reigning supreme at No. 1 on the streaming chart. IVE’s “HEYA” climbs to No. 3, showcasing its growing popularity among streaming audiences.

Lim Young Woong continues to dominate the digital download chart, with “Warmth” and “Home” clinching the top two spots. BTS’s RM makes a notable entry at No. 3 with his pre-release track “Come Back to Me,” adding further diversity to the chart.

ILLIT’s “Magnetic” retains its position at the summit of the global K-pop chart, with Zico’s “SPOT!” closely following at No. 2. IVE’s “HEYA” ascends to No. 3, underlining its international appeal.

FIFTY FIFTY maintains its social media dominance, leading the chart for another week. BTS, Davichi, BLACKPINK, and Choi Yu Ree round out the top five, reflecting the diverse range of artists taking over online audiences.

Written by Ava Carter Kpop Data Analyst Kpop, Streaming, Metrics, Trends, Fandom, Charts, Insights Ava Carter has 8+ years of experience in music analytics and holds a degree in Media and Communications with training in data analysis and audience metrics.

Ava Carter analyzes K-pop performance data with an emphasis on measurable growth and platform dynamics. She evaluates how releases gain traction across streaming and social ecosystems, linking metrics to audience behavior. Her work prioritizes clarity, using structured data to explain outcomes without speculation. She focuses on patterns that indicate long term artist scalability.

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